Sasha Waltz

Sasha Waltz

Sasha Waltz is a choreographer, dancer and director. She studied dance and choreography in Amsterdam and New York. Together with Jochen Sandig she founded the company Sasha Waltz & Guests in 1993 and was cofounder of the Sophiensaele (1996) and the Radialsystem (2006), two spaces for performing arts in Berlin. From 2000-2004 she was a member of the artistic direction of the Schaubühne am Lehniner Platz. In the season 2019/20 Sasha Waltz was director of the Berlin State Ballet together with Johannes Öhman. The development of innovative, interdisciplinary forms of performance and creation is an important focus of her artistic work, which ranges from internationally renowned dance pieces such as the »Travelogue« trilogy (1993-95) or »Körper« (2000) to choreographed operas (e.g. »Dido & Aeneas«, 2005) and exploratory dialogue projects (e.g. »Dialoge 09 – Neues Museum«). In her current choreographic work Waltz concentrates on the condensation of collaborative processes, such as the synchronous development of choreography and music (e.g. »Kreatur«, 2017). At the same time Sasha Waltz is committed to the transfer of dance knowledge and dance as a medium of social and socio-political understanding. In 2021, Sasha Waltz created the choreography »In C« based on Terry Riley‘s revolutionary and open score by the same name, which has since not only been successfully performed nationally and internationally, but has also developed into its own system with a growing community. The work consists of 53 choreographic figures that were recorded as video tutorials to facilitate the transfer of knowledge. Participatory, diverse, international and sustainable »In C« projects, workshop formats and ever new structures have developed and continue to develop from the material worldwide. She is a member of the Academy of Arts Berlin since 2013. In 2021 Sasha Waltz was awarded the French cultural order »Commandeur de l’ordre des Arts et des Lettres«

"At Eleusis, one realises, if never before, that there is no salvation in becoming adapted to a world which is crazy. At Eleusis, one becomes adapted to the cosmos. Outwardly Eleusis may seem broken, disintegrated with the crumbled past; actually, Eleusis is still intact and it is we who are broken, dispersed, crumbling to dust. Eleusis lives; lives eternally in the midst of a dying world."
Henry Miller

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